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About my painting, You’re Everywhere in Heaven Here on Earth (Detail)

YOU’RE EVERYWHERE IN HEAVEN HERE ON EARTH
26.5 X 58 in
NATURAL DYES ON SILK

This piece was completed high on a hilltop overlooking the ocean.
The French doors to the studio fully open, a light warm breeze wafting through
It was a beautiful morning, and I glanced down at someone else’s dog sitting quietly nearby

And I thought about each of them

This painting suddenly morphed and I began to write
The painting ~ now a reminder -
These flowers ~ a loving memorial

Love is forever

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You’re Everywhere in Heaven Here on Earth, Artist’s Private Collection

YOU’RE EVERYWHERE IN HEAVEN HERE ON EARTH
26.5 X 58 in
NATURAL DYES ON SILK

This piece was completed high on a hilltop overlooking the ocean.
The French doors to the studio fully open, a light warm breeze wafting through
It was a beautiful morning, and I glanced down at someone else’s dog sitting quietly nearby

And I thought about each of them

This painting suddenly morphed and I began to write
The painting ~ now a reminder -
These flowers ~ a loving memorial
Love is forever

Read Full Post


You’re Everywhere in Heaven Here on Earth (Detail 2), Artist’s Private Collection

YOU’RE EVERYWHERE IN HEAVEN HERE ON EARTH
26.5 X 58 in
NATURAL DYES ON SILK

This piece was completed high on a hilltop overlooking the ocean.
The French doors to the studio fully open, a light warm breeze wafting through
It was a beautiful morning, and I glanced down at someone else’s dog sitting quietly nearby

And I thought about each of them

This painting suddenly morphed and I began to write
The painting ~ now a reminder -
These flowers ~ a loving memorial

Love is forever

Read Full Post


YOU’RE EVERYWHERE IN HEAVEN HERE ON EARTH (detail 2/C), Artist’s Private Collection

YOU’RE EVERYWHERE IN HEAVEN HERE ON EARTH
26.5 X 58 in
NATURAL DYES ON SILK

This piece was completed high on a hilltop overlooking the ocean.
The French doors to the studio fully open, a light warm breeze wafting through
It was a beautiful morning, and I glanced down at someone else’s dog sitting quietly nearby

And I thought about each of them

This painting suddenly morphed and I began to write
The painting ~ now a reminder -
These flowers ~ a loving memorial
Love is forever

Read Full Post


About my silk painting, “HEMINGWAY'S”

HEMINGWAY'S 

Original,  2007, Dye on Silk, 54 in. x 40 in.

 ©️ Janai-Ami All Rights Reserved 

 

 

Additional Background About the Making of Hemingway's 

The completion of this silk painting, Hemingway's, ended with a BANG!  - literally.  I had been working on the piece for months in Topanga Canyon overlooking the Pacific Ocean and the Malibu coastline from a perch high above the village.  The studio -- that of Master Silk Artist Linda Bolhuis -- provided the needed venue.  Linda's studio is peaceful with double doors leading out to the gardens. But it's no small hike getting up that hill.  It takes grit and a great set of quads.  (I definitely didn't have the quads.) But I made that trek regularly on Sunday mornings - huffing and puffing - for several years, while hoping and waiting for my right arm to heal,  still unable to lift it without excruciating pain.  At least silk painting enabled me to continue doing one thing I loved,  but to do so with my elbows comfortably resting on a flat surface my arms stretched out in front of me.  MollyBrown was with me back then.  My very special rescue dog.  It was such a happy time!  

 

Molly had had a huge 'break through' first at On The Lamb and later up at Drummond Ranch where Molly got her groove after managing to get us both summarily thrown out of the local Los Angeles dog park by the "Dog Park Mafia" shortly after her adoption.  (They apparently lacked any real appreciation for Molly's incredibly strong herding instincts.) We were going regularly to the Ranch where Molly -- nicknamed "The Rocket" by some of the regulars there -- found her calling.  Before then she was a 'problematic' rescue.  She had been bounced in and out of multiple homes and shelters all over Los Angeles and that had caused her to develop severe separation anxiety which would manifest itself in extremely destructive behavior. I had to get that under control -- and fast.  But it would not be easy.  Saving a dog like MollyBrown would be a challenge. 

 

 

[Every living being -- every living, breathing, thinking, feeling being on this Earth,  has a heart and a soul - and something that feeds that soul in a way nothing else can.  Finding that something is a miracle unto itself that doesn't always happen,  but when it does,  at the moment that discovery takes place, there is nothing short of Magic! Could I help Molly find her Special Something and bring this sort of joy into her heart? Could I heal MollyBrown?]  Enter Magic!

 


 Saving Molly Brown  _ Silk

 

 

Molly Brown's heart and soul were in alignment finally, when I introduced her to something she didn't even know was missing from her life. I got her a job! Turned out it was something she both enjoyed and was exceptionally good at!  And that made all the difference in the world. It changed the course of her life, and it changed her.  

 

At first I found the whole herding thing quite amusing -- because Molly looked so silly with her long blond hair flying in all directions as she took off after the sheep. This was an entirely different look from that of the Border Collies who were focused and intense before, during and after they ran.  And Molly was NOT a "gripper" either, so i was okay with this activity that she really seemed to enjoy.  And a sense of calm washed over her,  a dog that understandably suffered from tremendous separation-anxiety after being adopted and then summarily dumped by one owner after another -- in and out of multiple shelters - including some high kill ones like the one up in Lancaster. She was unsinkable!!  Being in this different environment at the Ranch where she was free to express her true self unencumbered allowed Molly to shine.  The herding brought out another side of her.  And she started her journey to becoming the Best Dog Ever. 

 

Molly Brown On The Lamb _ Silk 

 

 

The first time we showed up at On The Lamb,  a heavy set woman in dusty well-worn jeans, even dustier boots and what looked like a riding crop greeted us.  I was worried.  (And admittedly a wee bit put-off by the crop, to say the very least.)  And although I had grown up in a semi-rural town actually named after sheep - mutton in particular -- I lacked any knowledge whatsoever of this activity which I clearly demonstrated to the woman with the crop the moment I opened my mouth.  

 

"How will she know what to do?" I queried, like the kind of New Yorker who only rides the subways, shops in midtown Manhattan, and has never even seen a sheep or an open field of grass.  (None of these descriptions actually applied to me, but likely that was how she viewed me) 

 

She put her hands on her hips and turned to look at me with a combination of disdain and bewilderment on how someone could exist in this World and NOT know the answer to the question I'd just asked of her.  

 

"THAT'S WHY THEY CALL IT INSTINCT,  LADY!"

 

And with those words,  she opened the gate to a pen filled with sheep that immediately scattered all about,  and Molly Brown, the dog that had been stirring up trouble at the dog park and gotten the Dog Park Mafia all hot under the collar,  took off like a Rocketship headed straight toward the sheep,  barking like a son-of-a-bitch the entire time.  Well. . . .

 

The Rocket _ Silk 

 

 

"UH-HUH.  WHAT DO YOU KNOW!  THAT MUTT OF YOURS IS PART BEARDIE!"

 

I had no clue what she was talking about.  I must have had a puzzled look on my face,  but apparently quite pleased with Molly's performance,  she put up with my inane line of questioning  - (which by this point,  embarrassed,  I was mostly keeping to myself) - and she offered up some explanation. 

 

"BEARDED COLLIES HAVE THAT PARTICULAR CHARACTERISTIC.  THEY HEARD A LOT THROUGH THEIR VOCALIZATIONS. THAT'S DISTINCTIVE. SO SHE MUST BE PART BEARDED COLLIE.  THEY CALL 'EM BEARDIES."  

 

Up until then I hadn't a clue as to what kind of dog Molly was,  and I certainly wasn't going to waste my money on a genetics study only to find out that my 45 pound girl was half-Chihuahua, half Maltese!  Or worse,  half Saint Bernard, other half Irish Wolfhound!  But I had assumed based strictly on appearances that she was part Wheaten,  and all of a sudden that was seemingly not true. I made a mental note to start researching Beardies later that day  (&  I guess that that's the New Yorker in me!) 

 

"A ROCKET!  I'VE NEVER HAD ONE MOVE THAT FAST BEFORE.  WOW! AND NOT A GRIPPER.  SHE'S FANTASTIC!"  

 

Well. . . . I kind of figured out the "Gripper" part,  and I suddenly felt very proud of my girl.  That's MY Girl!!  I puffed my chest out and stood there basking in the glow of how good my girl was.  NOT a gripper!  Way to go Molly Brown!!  

 

After several weeks of  this,  Molly would know as we headed north up the 101 Freeway when we were en route to Drummond.  She would crane her neck out the window and start to bay.  It was the strangest thing,  because you wouldn't think of a dog that looked like Molly Brown -- to be baying.  But she did.  She had found her Magic! Life was as life should be, filled with every possibility, everything we are meant to be, and the resulting pure joy! Her front paws outstretched and resting on the front dashboard -- neck fully extended - - crying out in the most primitive vocalizations - -- filled with a lightness of spirit,  filled with anticipation.  And on occasion (I am not ashamed to admit) I would join in too.  

 

AHHH- -- -- ROO OOOO!   AHHHHH- - -- ROOOOH!

 

And we'd head down the freeway toward the Angeles National Forest, up up up into the mountains north of Los Angeles, where the road comes to an abrupt end and a pitted bumpy gullied dirt road is the final stretch up to the ranch.  There we were greeted by the sheep. 

 

Unique _ Silk 

 

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Linda encouraged me to do an entire series based on Molly Brown.   After all,  she proffered,  there are really no series out there of sheep herding focusing on just the dogs.  So yes,  I did several.  The Rocket,  Unique, Molly Brown On The Lamb and  Saving Molly Brown were among these.  But I was wanting to get back to my roots of florals and had been thinking about it for awhile.   And then something happened. And the painting Hemingway's came about because as an avid animal lover and someone working in animal rescue  -- what happened had a huge emotional impact on me.  

 

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HEMINGWAY’S

 

I had accepted a job teaching in the medical sciences at the University of California.  There would be a didactic section to the course and there would be a dissection laboratory.  I love teaching and it's something I'm remarkably good at (or so I've been told),  and I was really looking forward to it when I headed off to the Orientation for new professors a week before classes were to start. When I got there I was given a tour of the University, my lecture hall and finally,  the dissection lab.  

 

A group of silver extra large freezers lined one wall.  The woman orienting me to the facility reached for the handle and opened up the freezers.  She pulled out a drawer.  At first I was confused because of all of the small plastic bags lined up on top of the palette within the stacked drawers that lined the freezer. A human cadaver wouldn't fit into a small plastic bag.  Had they already done dissections of a corpse and the students would be dissecting just an arm or just one leg?  She opened the first bag.

 

 

Inside the bag was a dead cat.

 

 

"What's this?" I said,  obviously stunned.  I should say that I was not a huge cat lover at the time,  but nonetheless it was completely jarring to me because I was teaching human anatomy,  and not feline anatomy.  

 

"For the dissection,"  she responded, matter-of-factly. 

 

"But this is human anatomy.  I don't know cat anatomy.  Isn't this a human anatomy course?"

 

"Human cadavers are way too expensive." 

 

"Okay. (pause) But why are the students going to dissect cats?  What does dissecting a cat have to do with learning human anatomy?"

 

"The students want the fun experience of doing their first dissections.  You'll be given the manual to lead them through the dissection. Don't worry about it, it won't be an issue."

 

 

But it was an issue for me.  It was a huge issue. 

 

 

I stood there staring at the cat lying dead in front of me, and the dozens of others in bags -- like pieces of garbage -- splayed out on a palette in a drawer in a freezer -- one of several drawers.  I was stunned.  And I was silent.  I couldn't believe what I was seeing.  What exactly was the point of a dissection of another species -- just to have fun? Just to have an "experience"?  'You have got to be kidding me,'  I thought to myself exercising what I thought was the utmost in restraint.  My words would need to be measured. 

 

"Where did these cats come from?" I asked very quietly.  [My insides were churning and I could suddenly feel something building up inside of me. I didn't know what that feeling was,  but I realize now it was a sickening feeling that I had experienced years before -- shortly after graduating from Harvard.  I was working at a major Medical Center in New York.  It was a feeling a young person gets when they think they are trapped.  When they know what the right thing to do is and how the expectations of those around them - those with power over them - stand in stark contrast to what they believe is right] 

 

"Where did these cats come from?" I asked  a second time.

 

She was becoming visibly annoyed with me.  And then she went and said it: 

"They're just shelter cats. Nobody wants these shelter cats and dogs anyway otherwise they wouldn't be in a shelter!  There's a company in Los Angeles that goes around to shelters and picks up all of the unwanted dogs and cats and then sells them to the Universities and Hospitals all over Los Angeles that need them.  I think it's probably a very profitable business for them!" she exclaimed with a knowing smile.  I didn't respond. I was shocked.  This time, I chose my words very slowly and (relatively) carefully. 

 

"You said they were unwanted.  Unwanted?  What does that even mean? And they weren't already dead.  They were killed so that some young person in L.A. could "have fun" dissecting them?  I just need to be clear what this is here  . . . ."

 

There was an awkward silence as we both stood there -- me staring at the dead cats,  the representative from the University of California staring in turn at me.  I felt her cold glare and the ice in her veins. And something welled up inside of me.  I think it was something akin to anger.  I don't tend to be an angry person.  And I'm quite shy by nature,  certainly not someone who stands up to others who are in a position of authority. I was feeling out of sorts.   Way way out of my comfort zone. Something needed to change.  Something in me needed to change. Then her tone changed.  And in response, my back straightened and stiffened, and my tone changed too.  The fear of angering someone else -- gone.  It was a major turning point for me, and I think I felt that too in a very real way as it was unfolding. 

 

 

It is a wondrous moment when one finds one's authentic voice.  It is magical when one finds the courage to stand for what they believe in and back that voice - their words -  with actions.  For words without actions are nothing but empty virtue signaling with no import whatsoever.  Anyone can say they believe in something,  but being willing to sacrifice one's livelihood,  one's reputation, something or anything of value to get behind those words,  that is something entirely different.  In that lies the measure of a man or a woman.  I knew in that moment exactly who I was and who I wanted and needed to be.  I was starting to find my voice.  

 

 

"Is there a problem here?" 

 

"Well,  yeah.  This is actually a huge problem."

 

Her words were now sharp and pointed at me like daggers.  She stared me down.  "So you have no problem dissecting a human being,  but you're apparently upset about a dissection involving cats?!" she said incredulously.   I matched her sense of incredulity with my response. 

 

"There's a huge difference here.   I'm surprised that YOU don't see it." 

 

"Really.  And what's THAT? " her words took aim stab stab stab at me. 

 

"The difference is - - (pause and then with equal emphasis)  - - the human being who is being dissected said before their death --- 'WHEN I die,  I volunteer my body to be used for this purpose.'  They were not KILLED in order to use their bodies for this purpose.   They agreed to it.  And they agreed to it occurring AFTER their death from whatever cause.  The cats didn't agree to this.  And they didn't say -- 'end my life now so you can have a little fun ripping my body apart.'  You say 'nobody wanted them' because they were rescues, and therefore their lives were of no value.  Who do you think you are?  Their lives were of value to them.  So who the hell are we to end their lives -- especially for someone's pleasure or enjoyment.  Are you KIDDING me?"  (& then I froze momentarily feeling alone and frightened at the sound of my own voice . . . there was nobody there to back me up or cheer me on. . . . and for a moment I didn't recognize me, that once shy afraid little girl . . .  I was standing up . . . not for myself (yet) but for others who had no voice . . .  )

 

 

"How do you think humanity moves forward if not for vivisection?  These labs are important for the advancement of mankind."

 

"Well,  THAT is an oxymoron if ever I heard one!  (I put the emphasis firmly on the word MORON).  If man-KIND (I added a huge amount of sarcasm on the "kind" for similar effect)  - -  needs to get ahead through cruelty to other species,  who are we anyway.  And YES,  I do believe that that's a huge problem.  I for one don't want any part of this."

 

"Well!  You are already committed to it.  Your name has already gone out as the Professor for this section and for this course.  The course starts in less than a week.  You can't back out now.  We would never be able to find a replacement in time.  So I guess you'll just have to deal with it.  You can't leave."

 

"Oh really?  Oh,  I can leave alright!  And I'm going to do just that.  Watch me."  

 

 

And with that,  no day job lined up to fund my true passion,  and too upset to even think about that aspect of it,  I turned my back on the University of California representative for whom the word Man-Kind held no real meaning,  and I walked out the door.

 

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It is easy to talk about what you stand for. It's easy to carry a sign and march around with a bunch of your friends while drinking your Arrowhead water or your Carmel Latte Frappuccino from Starbucks.   But it's something entirely different Dear Reader,  and far more difficult to do ~  to ignore the potential personal losses and consequences and actually take a stand. 

 

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It was an exquisite Sunday morning in Topanga Canyon.  The sun was shining, and a slight breeze was blowing through the studio. I could breathe up here.  Finally, I could breathe.   I looked at Linda and said that I wanted to do something HUGE.   She tried to persuade me to keep it small.  But I wanted to explore combining the traditional Indonesian tjap techniques used with silk painting with a more free-form American esthetic.  And I wanted it to be beautiful and life-affirming. I needed life-affirming this particular weekend.  I didn't want to think about what I was going to do next.  I just wanted to paint.  I had a general idea of what I was going to do.  One of my florals, plus perhaps throw in a hummingbird like the ones outside the studio flitting back and forth from flower to flower in Linda's gardens. But most importantly, there had to be cats.  Beautiful, living, breathing,  thinking, feeling cats.  I already had a name in mind -- Hemingway's.  I had gone to see his home in the Florida Keys when I lived down there years earlier, and I'd never seen so many cats playing all over the place.  Hemingway may have been long dead,  but the place he used to call home was ALIVE with generations of his beloved cats.  And so this piece would come to life too.  Working on it wouldn't get the visual out of my head of what I'd seen at the University of California.   Working on it would be healing. And so the work began. . . 

 

 

Hemingway's (Detail) _ Silk 

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 When Hemingway's was complete,  it had to be steamed.  Linda looked at me and right then for the first time I realized that there was an actual problem. The steamers she had were not big enough.  She would have to find one and borrow it or go to another's studio in order to complete this silk piece.  She got a steamer and I made an extra trip up to her home -- huffing and puffing as I climbed higher and higher towards the Heaven that was her Studio in the sky.  (I dreamed of one day having my own Studio just like it -- would that ever happen?  I pictured one with French doors opening up to a veranda and a garden -- a small studio with a slight Ocean breeze passing through it and the sounds of waves crashing upon the shores not too far away.  But for now, this would have to do . . . . )  

 

We wrapped up Hemingway's and loaded it into the steamer sitting in the middle of her living room.  Then I headed back down to the studio while Linda finished up closing the steamer and started the process.  It was then that I heard a HUGE BANG!  Well now I'm wide awake!! I went running out of the Studio up to Linda's home where the steamer sat in the middle of her living room tipped partially to one side.  She and her husband were looking aghast at each other.  What the heck . . . .

 

Hemingway's (Detail) _ Silk 

 

The steamer was so tall,  and nobody had noticed that it was past the height of the ceiling fan.  When the fan was turned on to keep her place cool while running the steam,  one of the blades had hit the steamer,  snapped and went flying off -- and through a window.  It was a freak accident -- but the arm of the fan was gone as was a window.  There were shards of glass all over the place.   The steamer was still in one piece and fortuitously hadn't toppled over completely.  This would be one very expensive piece of artwork.

 

 Hemingway's (Detail) _ Silk 

 

When I look at Hemingway's I think about those cats.  And a piece of my heart is broken.  Broken for those who each had a life and who died needlessly because no human was kind enough to take them in from a shelter.  Broken because man-kind -- in particular those whose work is supposedly all about healing  -- is so cruel and heartless -  as to think what they do is somehow okay and can be justified by saying it is for the greater good.  Broken because people en masse haven't stood up and just said NO.  Broken for the pain and suffering experienced by each of those lives lost for the supposed sake of 'man-kind.'  

 

But Hemingway's is also hopeful.  Because in it, the cats frolic in the garden.  Because it reminds us.  And the cats hide and play and live their lives -- living, breathing, thinking, feeling.  They are sentient beings all.  

 

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PROVENANCE:  

MAY – JULY 2023:  MUSEUM OF ART & HISTORY, Lancaster, California (Award)

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About the painting, WINTERTIME

WINTERTIME 

2022-2023

Oil on Canvas 

48 x 48 in 

(SOLD) 

 

 

I don't recall when I first knew . . ..  

 

     * * * * * * * * *  *

 

These four weeks especially,  You strike at my heart.  

 

    * * * * * * * * *  *

 

I think she will cross over today, or perhaps tomorrow.   I feel it.. . strange, because I don't even know her.  And yet,  connection  ~  

 

 * * * * * * * * *  *

 

Ahh . . .. Theodora!  Where are you when I call your name?  The person they see and the person I see are not the same! 

 

* * * * * * * * *  *

 

As I walk on this gentle bed of pine needles  . . crunch,  crunchy crunch crunch so soft beneath my gentle bare feet . . .. I am dreaming about my home up ahead . . . ..  I am alone in this upstate blooming wilderness a stone’s throw from our City where we grew up so close so close . . .  This place with its spectacular view, it is warm, incredibly cozy and ahh so inviting;  it says come in come inside come inside here and stay for awhile.  So I entered and now I can hardly believe we are here because we are never far apart!  SO VERrY HAPPY!  Snowflakes drop from the Heavens and my Schutzhund-trained pack - - - well, . . . .. especially King (you know how he got his name!) . . .. always & all ways reliable,  he jumps they jump and catch these little wonders of nature falling from above and into their open comical waiting mouths with jaws that can generate more pounds per square inch than any other but now with lips curled furiously on their soft soft inviting flakes they look positively silly - such silly will he willy guys all!  You can’t help it can you you AWAA make me smile  - - and now they -my pack - glance up at me utterly bewildered both by my smiling at seemingly nothing in particular and also as the tiny gentle white flakes of perfect organization a perfect organization a geometry disappears as quickly as. . . .  my breath,  a passing white cloud kisses hugs kisses in the air in front of my lips, and it holds for a mere moment crystals and then disappears gently into the air and in spite of everything yet I do not feel this bone chilling cold.  

 

(I came back here longing for something other than the cold . . .. every morning when I awaken I want and every evening before I close my eyes I want & AWAA so many times throughout the lingering hours of the forever day I hunger for something only you only you and I wonder how I will make it through another day, and yet somehow somehow will this waiting ever end and on and on and on it goes and the snowflakes fall and spearmint flavored breaths linger visible in the air and I try not to think I will myself not to I will myself to live another day one more hour like this & King jumps up and places his humongous paws on my two shoulders as if he wants to dance with me he loves to too and Cali is so jealous but she no longer talks like when she used to hear your voice and talk to you but King,  he is so very silly that he actually makes me laugh aloud . . .. )

 

. . .. and I know what you would say what expression you would make if you saw me dancing in the wilderness all alone or swaying stepping moving tapping dancing with this big ol' ofelike beast because I love to dance and I can hear the music even when there isn't any and even when no-one else is dancing and they stand there in the street and watch me move and everyone is smiling and everyone feels good and happiness is spreading all around and all it took was for someone to start to dance!  


 

 

    * * * * * * * * *  *

 

Aaaahhhh… . . .. Yes! I returned to a place I once escaped to before,  do you remember my telling you about it, The Pine Forest?  Here.  The mountains.  Fresh!  Clean!  Pure!  Whooooshhhh, . . ..  a sparkling stream not yet frozen,  it will be a bit longer. . .  It is filled with lives rushing passed lives rushing past the french doors of my cottage.  I can lose myself in this beauty.  

 

   * * * * * * * * *  *

 

A piece of paper valued above all. I can not. . ..

 

* * * * * * * * *  * 

 

And an entire community would rally behind to help in ways no man would ever even know about.

I was warned that they were powerful. . .

True 

 

    * * * * * * * * *  * 


I felt sad for a boy,  now a man.   Who allowed that to happen to him?  

And the girl?  What things said and unsaid turned her against you?  


And the winter is sometimes bitterly cold . . . 

 

   * * * * * * * * *  * 

 

I never would have allowed that . . .  Never.  

But an avalanche razes everything.  

 

They would both have seen the amazing wondetfull miracle I see.  

Goodness raises everything.

 

. . .  and Christmas is approaching and I remember crying much of last Noël . . .

And the lives rushing past . . .. and the stream coursing over the rocks . . .. 

 

 

    * * * * * * * * *  * 

 

Wildlife, . . ..  eagles gliding by overhead floating on the breath of the wind,  bears lumbering by ROKU ROKI  ROKI GRRRR and mountain lions on the hunt (like the one that shared my bed when I lived in the 'Bu);  and wolves traveling in packs they are a community (except for one who travels in the pack but is all alone in knowledge mastery and skill); and hawks nose-diving and owls peering through the night seeing everything and things others cannot see . . ..   I hear the nighttime howls . . .. what beauty God has created and it stands side by side with darkness  . . ..  I see her as she is . . ..I see through the darkness.  And you see it too.  I know you can see.   Then why?  Because you think you failed?   Because you do not want to fail again?   Yes it is complicated.  And you are amazing.  And you are special. And I have not forgotten.  I think you knew all along I would I could not . . .. 

 

    * * * * * * * * *  * 

 

My God!  Get me as far away as is humanly possible.   I ran I ran to be among nature where I can feel safe.  I do not want to be in the same World with people such as this!  Instead, I will stay here among the stars and the bears, and the lions and wolves and the hawks and the sentinel owls that peer through the night . . ..   

 

    * * * * * * * * *  * 

 

I CAN see through the darkness. 

 

What does it mean - difficult,  unpleasant,  intolerable?

              - - - NO!  

 


Too much? NO

Too complicated? NO

Be less than who you are? NO NEVER! 

 

 

 

Easygoing!  Comfortable!  Loving!  Joyful! 

ABSOLUTELY  EXTRAORDINARY!! 

 


She told me things I knew were all untrue.  How can anyone that close to a person not truly see them?  Well I guess you and I both know the answer to this,  don’t we!   There was that!  Anyway, I heard it all before from ‘Burl Ives’ who said i did not know or understand.  I laughed because it’s they who don’t, and how could they… they are not up to it!  Not even BICO! 
I do understand.   Because I see  ~   EXTRAORDINARY!  

 

   * * * * * * * * *  *

 

They say the windchill is in the double digits today.  Wintertime!  

 

I wonder if she kept it from you or if you knew, but I don't want to I can not believe even now that you could have done something cruel.  I suppose I will never learn what you did and didn't know.  But a part of me still believes in you. You were my closest friend.  We could tell each other anything at all WOW and it was always so easy always AWAA so incredibly easy  . . ..  of course I do miss that ~  

 

I suppose confirmation would be nice -  But I suppose it doesn't really matter.  Ahh. . . well. 

 

    * * * * * * * * *  *

 

Strange,  I was mesmerized by that one episode in GOT,  and I don't even know why.   I think I watched it a dozen times. I even named a painting Arya.  I suppose it is true then!  

 

'Winter is Coming!" 

 

    * * * * * * * * *  *

 

 

  

 

    * * * * * * * * *  *

 

Hmm. . ..  there were others to consider,  risking all that was too much . . .  

 

    * * * * * * * * *  *

 

GOT:   They came disguised as friends.  And just one, a lover.  
Just one.

An incredible lover . . ..

An incredible love . . ..

* * * * * * * * *  *

 

You can not live with a selfish self-absorbed individual for decades-  and not be made less than all you are capable of being . . . 

 

Clay is solid,  not like cotton or silk.  It is hard.  It is tough.  But a body made of clay,  porcelain the finest and most beautiful in its qualities,  it's also quite fragile and if you strike at it it may shatter  . . ..

 


 

  

 * * * * * * * * *  *

 

I slept easily last night here.  And when I awoke it was to the sound of the stream and the sight of a young deer with her fawn drinking quietly just outside my window.  

 

A noticed another small drop of blood on my bed.  

 

It is peaceful here.   I watched from my window for a moment.   I held a tissue, wiped the tears that had fallen on my cheek.  I felt a lump in my throat, and I let out an audible gasp. Breathe.  I tell myself this too shall pass.  Just breathe.  For a moment I am transported back back across decades.  My mother is sitting on the edge of my bed,  and she brushes my long dark hair back from in front of my eyes so I can see.  She tells me not to be afraid.   And then the image disappeared as suddenly as it appeared.  I do not know how much time . . .. 

 

The air is cold,  but a warm fire crackles close by sending embers up through the chimney.  It smells like wonderfull wintertime.  And now I am surrounded. . . ..   trees,  trees,  trees,  birds.  And now I feel it.  Wintertime.  I hear the melodies of the Holidays they make me smile!  (But not you.  You tell me you hate Christmas songs and that is so silly.  Tell me,  why is that?! I mean who doesn't love Christmas songs!)   When we meet again you have only to smile because in that alone it feels like you make love to me a million times and I feel something in your presence that’s impossible to explain and moreso to even describe but it’s real we don’t even need to touch ~  Yes! I am here again in my New York Pine Forest.  YES!  I am home.  

 


 

 

   * * * * * * * * *  *

 

Ahhh. . ..  you ask about Him.   

Who is he you ask?  

 

 * * * * * * * * *  * 

 

Are WE really going to have another 'free association' session! 

What a silly-willy willhe! 

 

   * * * * * * * * *  * 

 

Finally, . . ..  Peace.  He is with me.   And I will create something truly beautiful for him using this gift he gave to me. Like that piece on the strings I had specially made that serves to modulate the sound,  so too this gift he gave to me,

this brush, and  then with these hands this special touch  . . ..   

 

I can't wait to show you what I can REALLY do!  Watch my canvas come alive!   

 

 * * * * * * * * *  * 

 

Harmony . . ..

 

I can hear your music,  you are playing,  and it all is sounding so sweet to me,  perfect really!   It always has been. Your music  fills my heart with such joy!  (But tell me,  think about this,  why here on Earth did it take me for you to be able to see it?)

 

 * * * * * * * * *  *  

 

"Janai,"  (Gift)  "Do not be afraid because of what the ice queen has done.. .. you can not stop the unraveling.  remember only this ,  I gave you a gift."  

 

 * * * * * * * * *  *  

 

Kindness.  

 

Honesty in all things. 

 

Thoughtfullness.

 

Life-affirming.

 

Joy in simple things. 

 

Goodness. 

 

Bringing beauty into the World. 

 

Caring for the animals.

 

Compassion.

 

Integrity.

 

Truth. 

 

Love.

 

Selflessness.  Putting others' needs ahead of your own AWAA

 

Sight.  The most special most remarkable gift of all! 

 

 

 

Do you recall the moment when you were sitting on your couch, SiBu at your side?  It was early 2004. You were staring at your easel and the painting.   Suddenly you realized what was missing. Where do these thoughts come from?  Do you remember writing each of those words onto that canvas, quickly and with bare hands so as not to forget?  It was 2 decades ago.  You painted with an injured arm through pain and throughout the night until it was complete. And then the name,  ONCE UPON A TIME.  It came so easily!  And when you needed help to save Sim, OUAT sold . . ..  Trust what you see."     

 

   * * * * * * * * *  *

 

yes it is cold here but I do not feel it when I think of you and a calmness washes over me, and I begin to paint . . ..   

     

   * * * * * * * * *  *

 

 

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About the painting, SIBU AROUND THIS TABLE

(from an interview with the artist prior to the December 2007 film shoot)


"November, hmm.  I used to love that time of the year, especially the month of November.  And Thanksgiving.  Simba?  Yes.  It all changed after that. (Artist paused and the Producer and his assistant were quiet). Yes,  of course you want to talk about him.  Simba.  He's probably the most important part of the story. When and why he became part of my life.  The timing of it.  It was crucial. In so many ways. And then what happened.  How it impacted me.  All of it really . . . (pause) I guess I can honestly say that if it weren't for Sim,  I would not be alive today, and then none of these paintings would have ever existed."  https://www.instagram.com/reel/Cx4GmV0PGYM/

 

 

". . .if it weren't for Sim,  I would not be alive today and none of these paintings would have ever existed."

 

 

* * * * * * * * *

 

 

SiBu AROUND THIS TABLE

[Pinks and blues . . . .. I never had children, even though I really wanted them.  But somehow or other it was all okay.  Somehow or other . . ..] 


(Malibu,  Christmas 2005 - 2008)   I have what used to be a rather plain forty-two inch round table that sits in my very small one-room apartment inches from where I lay my head at night.  It used to look just like any other table.  There was nothing unusual about it, and if you were in a showroom full of tables,  you no doubt would walk right past it and not even notice it was there.  It blended completely and without any effort whatsoever into the background of other nondescript functional tables . . .a light beige top with two legs supporting it.  There really is no room for it here next to where I close my eyes at night,  it belongs in storage along with all the rest of my things,  but it wasn't yet “complete" when I returned to L.A. There was something I still needed to do to make it whole.  The writing around the edges.  Memories I do not want to lose.  So it is here with me.  I need to get it out of here,  out of the fire zone,  to someplace safe --  but for some reason i just haven't been able to do that yet.  I had it with me when I moved here from back East, one pretty non-descript table . . .  two legs holding up the top....

 

 

(Before 2004)  Simba and Buster used to play around the base, underneath its umbrella-like top.  The table can be extended and a third piece of wood, an extension,  added to the two.  This is an excellent feature for entertaining which I used on occasion, but more often it was used to extend my work space at home where I spent many evenings with my boys,  just the three of us together, me writing or painting and those silly goofballs playing that game, around this very table!  Often on these nights after I finished nine or maybe twelve hours straight of working on a piece,  I'd rent a movie,  pop it into the video player on top of the TV,  and sit down on the couch across the living room to enjoy my dinner.  Simba and Buster would curl up on either side of me,  and I'd rub their ears or bellies and comment when appropriate on all the on-screen action. I loved to see the ‘Bad Guys’ get caught and being held to account and I’d vehemently root against them whenever they appeared on screen. My two boys were content to lie there and if I stopped rubbing Simba's belly after he had become particularly comfortable,  he'd take his nose and reach for my hand and shove it firmly until the belly-rubbing action resumed.  Then he'd stop pushing my hand with his nose.  Sometimes I'd stop,  to see how long it would take him to "tell me" --  "Hey!  Keep rubbing!"  Well!, . . . it didn't take very long at all!

 

Sometimes Simba would get hungry and he'd get up and trot over to the kitchen entryway.  He'd turn to look at me to see if I was paying him any attention.  I was.  Once sure that I was watching, he'd face a row of cabinets and make a motion with his head in which his nose dipped slightly then pushed upwards in the general direction of the kitchen.  Then he'd turn to face me full on,  catching my eyes,  then turn and repeat the gesture. 

 

“Hungry Sim?"  I'd ask rhetorically and wait to see what he'd do next.  "What do you want?  Show me!"  He'd take several quick steps in my direction then turn and run toward the kitchen,  now fully animated in anticipation that I was paying attention, and,  likely,  going to take action in response to his request.  "Show me!" I repeated.  And he ran towards the one cabinet in which I stored the three-tin popcorn -- buttered,  cheddar cheese and caramel.  The cheddar cheese was his perennial favorite.  He pushed his nose against the wood cabinet door then turned to me exasperated as if to say,  "IN HERE!  IN HERE!"  and I could feel the excitement rising within him as his step and movements quickened in a growing fury of excitement.  "What do you want?"  I asked,  feigning confusion as if I needed some directions spelled out more clearly.  He barked just once in that high pitched voice,  a voice far different from any of his "other voices,"  as if to punctuate his sentence and explain it more fully to me,  poor human with limited comprehension of dog,  a language so simple any idiot ought to be able to learn it,  and he pushed his nose two or three times up against the cabinet door.  "IN HERE!  IN HERE!"  I took out the huge tin of three types of popcorn and headed back to the couch.  He looked eagerly as I opened the tin trying to peer over the top and inside the can.  Buster who loved food perhaps more than he loved me and Simmy,  more than anything else in the world in fact,  also perked up. Buster was far more vocal when it came to anything concerning food.  A high pitched "Woof!"  Translation 'here I am. I'm hungry too!'  "Woof"  'Here I am,  in case you didn't hear me the first time!' "Woof!"  'I love cheddar cheese popcorn.!'  "Woof!"  'It's my favorite!'  I took out a handful of cheddar cheese popcorn and threw one up in the air in Simba's direction.  SNAP!  GOT IT!  Then I threw one toward Buster.  SNAP!  He licked his lips smacking them together.  His upper lip got caught over his teeth and he stood there staring at me with that silly and expectant expression,  his deep brown eyes alert and ever-watchful.  Another one for Simmy.  SNAP!  GOT IT!  His mouth made a particular noise as he caught the popcorn and resumed the position for the next piece.  There were many.  Sometimes Buster couldn't wait his turn and tried to grab Simmy's popcorn,  but Simmy was too quick and never missed a beat,  even when I challenged him by throwing the piece higher into the air or in a slightly different direction.  This was just one of our silly little games.  

 

Often Simba would get bored with a two-hour long film and after he'd had enough massage to satisfy his needs,  he'd get up and wander around my apartment looking for some other form of entertainment.  He'd return with one of Buster's toys.  Buster had several toys that Sim really loved a lot.  One of them was a small stuffed pink teddy bear,  which always made me laugh to see it in Buster's mouth -- so uncharacteristically Buster -- my strong and self-assured one, a retired member of the United States Marine Corps.  Then there was a larger brown teddy bear which over the years had lost his shapeliness to more than one tug-o-war between the two soft muzzles of good friends.  There was a small pink dog with a blue head and yellow eyes whose head was sewn on backwards which I didn't notice for some time after bringing him home but when I did I found him rather frightening.  It didn't seem to bother either of my boys. There was an adorable dog with a white head and green ears stitched in red;  his body, legs and tail long gone following one too many tugs. And that funny purple small stuffed bear with no stuffing left inside of him and a grey stuffed animal missing not just his stuffing but his head too.  His body, legs and tail still well-preserved and intact. A large white stuffed ball with happy pink and purple markings,  which I recall Buster lying in a corner one day in his twilight years when more active games were of declining interest to him and systematically dismembering it one mouthful of soft white cotton stuffing at a time.  A deep purple stuffed faux bone and an assortment of multi-colored braided and partly shredded ropes attached to an assortment of once faces, heads, feet and tails completed the line-up. 

 

Simba returned with one of these toys in his mouth,  marched up to Buster and shook it in his face.  Buster turned and made a half-hearted attempt to wrest it from Simba's mouth but as soon as Buster had his mouth upon what was his toy,  Simba would yank it right back out of Buster’s mouth and take a step back.  Buster would often ignore Simmy at this point and go back to doing whatever it was he was doing,  not uncommonly it meant just resting his head back upon the couch - or my lap- and observing Simba watchfully for his next move. Can you believe this?  How annoying can you get? That's my toy and he'd better drop it - soon!   Simba always had a next move.  Though it seemed to me when I first started to observe these games that Simmy was unable to engage Buster right off,  he would move in yet again,  presenting Buster's own toy to him,  and for special effect he'd shake his head with the toy in his mouth violently from side to side three or four times -- just enough to make a statement.  Buster would slowly and purposefully get up off of the couch as Simba would run towards the nondescript kitchen table with the light beige top, his head slightly turned to the side, eyeing Buster to see if - or be sure that - ol’ Buster was following closely behind.  

 

Simba would position himself on one side of the table - and Buster would stand staring at him from across the table.  The table's two legs which each fanned out to two more posts, stood as strong, steady pillars and effectively blocked Buster from lunging straight at Simba through the table to grab and recapture what was rightfully his.  Buster would stand there facing Simba.  With his back to me all I could see was Buster's posture,  firm and tall,  his floppy yellow retriever ears standing higher up than normal at their base which I knew indicated that he was at full attention. Buster didn't flinch.  I knew from the occasional times I observed Buster from the other angle 180 degrees away that Buster's eyes were following Simba's every move --  but he didn't move a muscle,  not a tenth of an inch.  I began to understand how incredibly smart Buster was for not lending chase -- after all,  he was fourteen years Simba's senior and in his teens probably could not have sustained a game of chasing Simba around the table for very long. Instead,  he would use the wisdom that comes with age and outwait Simba's youthful impetuousness,  letting Simba run himself ragged into the ground and then,  when Sim least expected it - pounce and retrieve the prize - the toy which after all was rightfully his!  I could see the wheels turning inside Buster's head  - - - and Simba's as well.

 

Simba would eye Buster cautiously.  Without moving a muscle his eyes would then dart to the right,  as if to suggest to Buster that that was the direction he was intending to run. Sometimes he'd accentuate that fact by moving his head quickly glancing in that direction as if to make certain that the path to his right was free of impediment. He'd stop to see if Buster was going to take a step in that direction.  Buster didn't move.  So Simba would take a quick step to the right, then stop.  Still Buster didn't move. This game of combined speed and strategy could go on for upwards of an hour and it was engaging to say the least,  to watch the two of them strategize,  each one trying to outsmart and outplay the other. Buster strategizing. . .  Simba relying on his youth and speed. Occasionally Simba would run a few steps to the right or a few steps to the left,  tiring himself out all the while Buster would remain a sentinel.  Finally,  Simba would have to leave his position in order to engage Buster.  He'd inch closer then step back quickly into place safely out of Buster's grasp. Buster waited patiently.  Simba would shake Buster's toy at him.  'See!  Here!  I've got your toy!  You want it,  you're going to have to come get it!'  Buster didn't move an inch. Simba would carefully,  cautiously move in ever closer.  Closer still.  'I've got it.  It's right here.  All you have to do is....'  Buster lunged taking Simba off-guard during his ritual of showmanship,  and grasping one end of the toy in his mouth would quickly yank it away from Sim.  But Simba quickly jerked his head around,  re-grasping it with his mouth and  wrenching the toy from out of Buster's grasp by the sheer rapidity and stunning firmness of the movement and then he'd start running in the other direction.  'Catch me!  Catch me!  You can't catch me!  I've got your toy!  I've got it!  I've got it!!'  And off Simba would run, circling the base of this forty-two inch round otherwise non-descript table, Buster giving chase.  Occasionally I would join in the game,  yelling incentives from the couch to rile them even more.  "Run.  Get it Buster!  Run Simmy, run!"  But more often than not, I just enjoyed the game quietly from the sidelines,  content to let the two of them play together.  They loved each other very much.

 

(Providence)   It's early January 2005,  and I am sitting alone in my cold and barren New England apartment. The faucet is open ever so slightly because if it isn’t, the pipes ill freeze and burst. I hear the drip, drip, dip like tears they fall and are gone. The movers finally came weeks after my own arrival, and the boxes the left sit there still piled high, untouched.  The only things unpacked are those that I had had with me during the drive cross-country.  Simba's and Buster's toys and a large navy blue cushion with Simba's name embroidered across it in red.  They are there in the quiet in the empty alcove next to my bed.  Several feet of snow falling outside my window, one snowflake at a time I watch them fall silently to the ground and pile high or disappear.   A dead silence lays heavily here,  and I am frozen and all is still.

 

A black vinyl First Aid Kit,  a repurposed hanging cosmetic bag with the words 'First Aid Simba' emblazoned in gold marker in my handwriting across the back is hanging in my bathroom.  Across the upper right hand pocket in gold:  "Benadryl/prednisone prn as needed for allergies, one each;  Ascriptin one daily for hips,  soloxine 0.8 (1/2 in AM  1/2 in PM) for thyroid;  Cosequin DS one DAILY.  I can see the black bag from where I am seated on my bed.  I had packed all of Simmy's meds and anything else I might possibly need for him medically in this bag.  I was prepared for almost any sort of emergency that might arise.  Well, almost any sort of emergency.  A bottle of Skin Formula 3V Caps by DVM For Large & Giant Breeds of Dogs containing 250 capsules;  a concentrated dietary supplement containing Fish Oil, a source of Omega-3 Polyunsaturated fatty acid plus Vitamins A , D & E.  His vet,  A.S.,  recommended it as a great source of Vitamin E.  (I later would wonder,  after reading this vet's 'testimonial' about the product and his article on the DVM website,  what exactly was the relationship was between him and this company.  Did he own stock in it?  Did they help him obtain new clients through this 'expert discusses the product' plug on their website?  Did he get a kickback from the drug company for prescribing x-number of pieces of their product,  perhaps in the form of weekend getaways to the Four Seasons in Santa Barbara or something of the like?  The latter,  I may add,  is an incentive to prescribe which the law banned years ago for medical doctors -- making it illegal for a drug company to influence the prescribing patterns of physicians and surgeons.  Did this sort of incentivizing exist within the veterinary 'profession' between vets and drug companies? - - I was sure it did.)  "Cortizone-10 Plus 10 Moisturizers, maximum strength 1% Hydrocortisone anti-itch Creme.  I would gently rub this between Simba's toes and between the pads on the underside of his feet when they were all beefy-red inflamed.  His allergies were severe during certain times of the year and this afforded him great relief.  The only problem was,  he used to try to lick it off - and I would have to sit with him,  gently holding his head away from his feet to prevent him from removing the medication before it could take effect.  Sometimes I would put it on his toes when he was in a deep sleep,  to avoid this problem entirely.  I trimmed my own nails very short,  so that I wouldn't stick him with them when rubbing the white creme between his pads,  a narrow area made more difficult to reach by the edema or beefy red swelling.  There is a baby-proof container of Soloxine,  0.8 mg,  Quantity 120.    It says "give one half (1/2) tablet  twice daily every 12 hours until gone. "  I gave it at exactly the same time every day, twelve hours apart as indicated,   7 a.m. and 7 p.m. -- or as close to that time as possible. There is a bottle of 65 pills of Prednisone, 5 mg tablets.  It is dated December 4, 2003.  I kept it in case of an emergency -- like a bee sting or something.  There is a second similar container dated October 24, 2003.  Simba was bitten by something,  perhaps a bee,  and went into anaphylactic shock.  I almost lost him.  I came very,  very close. Well, that's another story.  There is an unopened bottle of Ascriptin,  100 tablets,  325 mg apiece.  I kept asking Simba's vet if this wasn't too high a dose.  It really seemed excessive to me and I kept wondering and asking if 81 mg might not be better.  I was told by his vet that 325 mg was exactly the right daily dosage.  The autopsy results included a report of the GI tract,  and when I read it I knew immediately I had been right.  It was my understanding that veterinary medicine and human medicine were not the same and I had trusted Simba's vet implicitly.  He knew how much I loved Simmy and sold me yet another medication, vitamin, pill,  all in the name of Simba's feeling good.  Kaching!  Kaching!  Kaching!  I recognized now too late that I had been wrong to trust the vet,  and right about the dosage.  Simba's gastrointestinal tract was a mess.  My mind was racing through facts and all at once wondering what else he had done or not done to Simba over the years,  and Buster as well,  all in the name of the almighty dollar.  As a result,  Simba must have lived with incredible pain from ulcerative lesions throughout his final days, weeks?, months? ,years?....I burst into tears at the thought. Yes,  I had had my First Aid Kit stocked with all sorts of necessities prescribed all too willingly by Simba and Buster's "caring" vet, and I was prepared for anything to keep them safe.  Or so I thought.....

 

The table stood in the breakfast area/ living room.  It was stacked with boxes and the floor around the two legs was also stacked high with boxes such that I couldn't see the two legs at all.  I could only see the table top from where I was sitting on my bed,  out the bedroom door and down the hallway.  My breath turned white before disappearing in front of me and I sat and stared at the table at the opposite end of the hallway.  It seemed to be sagging underneath the weight of its burden.  I closed my eyes and tried to picture Simba and Buster running around the base.  But I couldn't and I opened my eyes and sat there staring straight ahead.  The room was freezing cold even with the heat on,  the kind of chill that permeates you right through to the bone.  

 

[A lavender painting that I had been working on in March,  shortly before Buster died on March 16th,  hung over the small alcove beneath a small window in my bedroom to the left of my bed.  I had decided not to finish the painting but to leave it instead in the condition it was in when Buster passed.  It had started out as a beautiful mauve and lavender sky and I was thinking about experimenting with gold leaf for the first time.  I was going to place a few gold stars in the sky and I already had a title for the piece ---  SERENITY.  But when I had tried to work with the gold after reading directions but not really knowing what on earth I was doing,  the gold had literally sucked out of my hands and onto the canvas,  destroying the beautiful and peaceful sky.  I remember jumping up and down at the time and calling out, 'Oh my God!  Oh my God!'  and trying frantically to get the square sheet of gold off of my canvas and out of my beautiful sky,  but to no avail.  Simmy and Buster watched me and no doubt had no idea what to make of my antics.  Whatever was going on,  they knew it couldn't be good.  Finally,  I gave up.  I decided to cover up my error and placed a huge tree right over most of the gold covering it nearly completely.  It was a strong tree.  Bold.  Steady.  Strong.  A few small branches emanated to the left and flowers started to grow at the base.  It would be beautiful.  It was already beautiful.  But then Buster died.  And I knew it would never be complete,  and nothing I could do would make it whole.  So I left it as it was,  and changed the title to "Evening Star."  I looked over at the painting and then down at Simba's bed and at Simba's and Buster's toys placed lovingly in a woven straw basket to its left,  and tears rolled silently down my cheeks.]  

 

The phone started to ring,  and I didn't move.  It rang and rang.  I let it. I didn't move a muscle.  And tears continued to pour down my cheeks silently,  where no one could see them.  And the phone continued to ring.  Alone.  Leave me alone.  I picked up the receiver and was silent.  I dropped it on my bed and ignored it and stared straight ahead at nothingness.  I heard a voice yelling though it seemed very quiet and way off in the distance.  "PICK UP THE PHONE! "  The voice was familiar,  though I rarely - no, never - heard her yell.  It was my friend calling from Los Angeles.    “Hey!  Are you there?  What's going on? Talk to me!”  I didn't respond,  and she kept repeating what she was saying.  I didn't want her to be upset,  but her voice,  it was somewhere very far away and though I heard my name,  it was coming from another world, another place, another time -- one which I was no longer a part of.....She was yelling again,  "What are you doing?"  I burst into tears,  sobbing so loudly that I could barely hear her voice as she made repeated futile attempts to get through to me.  I could barely catch my breath.  In-between the wailing I heard her voice calling out to me desperately trying to get through to me -- and I was nowhere,  floating,  floating through air capsized and unable to feel myself my body letting go and not even trying to reach for anything at all to keep me from floating away - …- - and there was Sim… he was screaming in excruciating pain as his insides blew apart and there he was in front of me his eyes bulging out of his head and me helpless to do anything to save him to take away his pain and i hear the blood-curdling screams and I can’t stop hearing them . . …a year later Peter at UC Davis, the world’’s leading expert on Sim’s disease would tell me he had only once seen a dog with this disease allowed to go without being put to sleep. .  he was appalled at what the Los Angeles vet had done and felt that it bordered on criminality - torture and cruelty,  and he had said he was so sorry that that had been done to any animal, especially one so loved. . .. and I can still hear Simba’s cries of pain . . . and where am I now, and, and .. ..  my friends voice was suddenly remarkably calm.  She talked and continued talking even though I didn't respond. 

 

"Have you unpacked your boxes?"

 

I made a noise indicating that I had not but didn't say a word.  I could hear her sweet and always kind and always happy voice.  But nothing would come out of me I struggled in vain I couldn't feel the floor the air gasping gasping…Sim is gasping for air. .  his body was contorting,  all of his major organ systems were shutting down,  the whites of his eyes turned yellow in a flash,  the blood,  the blood, any moment now the blood exploding from every orifice and the blood curdling screams crying for my HELP! . . . and I couldn’t do a thing. . . . all of my training. . . . and I couldn’t do a thing. . . 

 

"Simba doesn't want you to do this to yourself.  What would Simba do if he saw you like this?"

 

The weeping intensified dramatically for a few moments and then stopped abruptly.  What would Simmy do?  I toyed with the words my mind repeating them and thinking thinking over and over and over.  What would Simmy do?  Simba was an extremely sensitive being.  Simba couldn't bare to hear me cry.  He couldn't bare to even see me upset.  Buster would run to me if I was upset and comfort me. It was only twice in all the years as I was never one to get that upset, but I recall his response as if it were yesterday. Both times he laid his head on my lap and lie there quietly until he felt the storm had passed.  But not Simba.  Simba would be too upset to see me upset,  that he would do something unique 'for a dog.'  He would run away into another room,  the furthest one away in the apartment from wherever I was at and bury his head underneath a pillow so as not to hear me cry.  He absolutely couldn't bare to hear me cry and he would get as far away from me as possible. I thought suddenly of how my crying would affect Simba and my uncontrollable sobs turned soft and intermittent until they came in short bursts.  I was quiet,  still.

 

She valiantly tried again.  "Have you unpacked any of your art supplies?"

Some sounds again indicating that I had not.

"Even your paints?"

"mm --mm" (No)  

"Do you know where they are?"  And then again more insistently as I continued to sob.  "Do you know where they are?"

"mm -- mm" (yes)

"What about a canvas?  Do you have any out?"

"mm -- mm" (No)  Gasp.  Sobbing.

Quietly.  Firmly.  "Listen to me.  I want you to get them out.  Get out your paints."

“You weren’t there!  His head exploded.  You didn’t see.  You didn’t see what he did to him.  He could have been put to sleep humanely.  He didn’t need to suffer like that.  You didn’t see.  You didn’t see  . . . ”  the sobbing intensified.

"Get out your paints.  Just do it.  Won't you do that for me?  Put the phone down but don't hang up.  Get up and go get your paints.  Just do that for me. "

I put  down the phone and walked into the hallway and among and past the boxes. I could hear the dripping from the bathroom faucet falling like hidden tears in a room where nobody else could hear them . . .  Piled in the kitchen next to Simba's things were other things I’d hauled cross country in the car with us,  other things I valued.  There were several boxes of paints.  I opened one up and stood down staring at the paints.  What I had thought I valued most …..

 

"Is there anything in your apartment that you can paint?  Anything at all?"


I stared out from my bedroom again at the kitchen table with the boxes piled high on it and all around its base.  There was no canvas anywhere.  Finally I spoke.

 

"I could paint the kitchen table,"  I said quietly.  "But that was their table...." my voice trailed off. 

 

"I want you to paint.  I need you to go and paint that table.  Will you do that? Do it for him.  And then I need you to answer the phone.  I'm going to call you back.  You need to pick up the phone.  Do you hear me?"


"Yes."  

 

Something really basic had been missed,  something essential about my understanding of what a man would do for money . . . I don’t think I fully understood that depravity, corruption,  greed, self-centeredness,  I don’t think I understood any of it,  but I began to, and this new understanding arrived in a deep and visceral way.  Suddenly I understood.  And that understanding changed everything.  Somebody needed to stand up for the most vulnerable among us.  Someone capable and courageous; someone with a powerful voice. Not quiet. Not meek. Not shy. Unafraid. I had to let that go even though it had been such an integral part of who I was - especially as a woman. Two completely different people began to emerge. One incredibly intuitive and so very sensitive, the other stronger and tougher than hell. I didn’t know it back then or for years afterwards, but it was in those moments that I became a very, very different person. 

 

I moved robotically down the hallway and into the kitchen area and started to clear the table.  Pink and blue are the color of babies,  the color of our children,  but I chose deeper versions of both the pinks and blues, favorite shades that I truly loved.  And I started to paint.  I scribbled Simba's name repeatedly into the background and I worked all night long and into the next morning.  When I was done,  I put down my brushes and other tools and instruments and stared at the table.  Beautiful flowers burst out over the table and the words "you saved my life yet I let you down," mixed with my tears  "and yet that last night you rolled over and licked my face as if to say 'it's okay' " and on and on,  and the words "eternity" and "Simmy and "my Shmangel Angel” -one of your many nicknames, and “Forgive me . . .”  

 

Simba and Buster... SiBu Around This (very) Table,  where they once played.

 

 

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(Christmastime, RI)  A lady from a local charity came bargain hunting and to haul my stuff away late one evening in December 2005.  I had made a decision to return to southern California and take legal action against the veterinarian to the stars because of what I learned  - what had actually been done to Simmy -  and I needed to unload as many personal possessions as possible in order to make the three thousand mile trip yet again;  my bicycle,  my potted plants,  most of my books,  dishes,  a washer and dryer, an armoire . . . Something caught the eye of the Lady from the charity, and she stared across the room at what was once my kitchen table and then walked over to the once nondescript table to get a better look at it.  

 

"Is this for sale?"  she asked.  "It's really beautiful.  So joyful.  There's something about it that I really love."  She strained to make out the writing.  

 

"No.  Definitely not for sale,"  I responded politely staring across the room at the table for a moment and cringing so painfully at her use of the word 'joyful.'  

 

"Oh!"  she said disappointed.  "Well if you were to sell it," she said still trying to make out the writing, "how much money would you consider taking for it,"  she prodded.  

 

"No amount of money.  It's not for sale."  I hesitated,  then added quietly in a barely audible whisper, "I painted it for my boys after my youngest died."  I didn't bother to mention that my boys were of the four-legged variety.  Few people I knew would,  could understand how much "an animal" meant to a person.  I knew she assumed I was talking about a human child.  And I didn't correct that impression.  He was my child no matter what anyone thought.  

 

"Oh my God.  I'm so sorry.  I didn't know."  She backed away. "It's strange,  it seems so happy I never would have thought...." her voice trailed off.  "How old was he?"

 

"He had just had a birthday.  His birthday was November second," I responded more to remind myself than to answer her question. I was facing off into space staring at nothingness when I turned to face her and said,  "He was eight years old." 

 

"Oh. So young.  That's horrible.  I'm so sorry.  I don't know what I'd even do if I didn't have children. I can't imagine not having them,  or worse still,  losing one.  It's awful to lose a child."

 

"Yes."  I responded.  "Yes.  It is."  



SIBU AROUND THIS TABLE _ 2004-2005 __ Oil on Wooden Tabletop  

 

 

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About the painting, JUST BEFORE SUNRISE

JUST BEFORE SUNRISE 

 Original 2003_ Oil on Canvas__ 48 in. x 36 in.

 

 

- * * * * * * * * - 

 

Jackson Pollack was once asked,  "How do you know when it's done?" 

His response was,  "How do you know when making love is over?  You just do!"  

 

 

- * * * * * * * * - 

 

*     *     *     *     *     *     
Simba ate the bindings off of all of my first editions.  He LITERALLY destroyed them.  They were so precious.   I was speechless.  These were the books that my mother had read to me when I was just a child.  They were the only thing that I had salvaged from my childhood home on the day my father was preparing to leave with his new wife (belly full with child) to southeast Asia.  He had told us to come and get whatever we wanted from the house.  I didn't take any sterling silver or china or crystal or jewels.  I took the only thing of real value to me.  I took a book of poetry and the entire collection of Winnie the Pooh. Silly me!  I should have been angry with Simba.  But how could I be - he did not know what they meant to me. What they had truly meant to me.  So I just sat down,  and I wept until there were no more tears.  And Simba came and lay down beside me and put his head in my lap.  And I reached over to him and smiled when he did that and said,  "You silly dog.  Of course I still love you!"  . . . 

 

 

 

*     *     *     *     *     *  

 

I put down my brush. It was gratifying.   I tried to soak in that moment.  The brush stroke,  what that last stroke felt like when I knew,  . . . the image -- what it looked like when i saw it, complete, for the first time. . . . . leaning over and feeling Simba's smooth black labrador retriever coat as he lay by my feet in my Toluca Lake apartment . . . .  Buster staring back at me from the kitchen,  well -- alternately staring at me and then poking his nose in the direction of the 'goodie drawer,' as if to say come hither and see what I've found  . . . . good 'ol Buster Brown!  My big beautiful sedge Chessie  . . . GOD, how I loved that dog!  I loved them both.  Deeply.   So,  . . . . . . YES!  I do remember THAT moment!  I remember EXACTLY what it felt like -- all of it -- the satisfaction of it -- and realizing that THIS moment -- with all of its particulars -- that it was THIS EXACT MOMENT that I loved so much and I was in it and I realized it while I was in it (a gift!), and I tried hard to take a snapshot of it in my mind so I could summon it forth at some point in the future when it was no longer  . . . and just yesterday that is what I did.   I summoned it forth.  And then I was able to let go of the painting.  A piece I thought I would never NEVER be able to part with.  I was able to part with the painting,  because the most important part of it is what lies within me still.  I know wherever you are you already know this,  but I will say it anyway.  You are always in my heart and will always be in my heart.  And that will never leave me ~

 

 

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It feels like The Meadow. . . .  the one that's en route to my Pine Forest.  The rush of excitement as the moment when I enter the Pine Forest is at hand.   The storm of excitement and love I am feeling inside of me on the approach.   The beauty of the stillness and the thrill of anticipation.  That is what it feels like to me. . . . . and much, so much more!

 

     *  *  *  *  *  *  *      *   *  *  *  *  *  * 

 

 

Someone cut me off in traffic.   That is one good reason not to bring coffee in the car while driving to work in the morning.  It stains. (And for the record,  YES,  I do have one of those 'travel mugs.'  Hint:  They do not always work!)  But on the occasion of destroying my beautiful dress en route to my office,  instead of being upset about it,  I had a unique response.  I made a mental note to make a fresh pot when I got home from work.  So I did.  And then - this time as planned - I poured it onto the canvas - yes, it stains! That rich warm feeling you see in Sunrise is due to one of my favorites,  French Vanilla Nut Decaf.   

 

 

     * * * * * * *   *

 

"Do you remember what it felt like?" asked Christopher Robin 

"Yes," he said.  "It was amazing." 

"Finishing?" asked Christopher Robin.  " . . . the final brush stroke?"

"No," said Pooh.  "But that was good too."

"The final image?"  asked Christopher Robin

"No.  Not that,"  replied Pooh.

 

They stood there silently.  And they both looked up at it. 

 

"I put us in there, "  said Pooh, not looking up.  Pooh was surprised nobody, not even Christopher Robin had noticed . . . 

"Really?" replied Christopher Robin, surprised.  "Where?"  he asked.

"There," said Pooh, pointing. 

"I don't see you,"  said Christopher Robin

"You're not looking hard enough,"  replied Pooh.
"Can you show me?"  he asked. 

"Yes,"  replied Pooh Bear.  And with that, Christopher Robin looked very closely.  And then his eyes lit up.  And he smiled. 

 

"Ahhh...." said Christopher Robin.  "I didn't see you there before!"  (Christopher Robin was surprised.)

"You didn't look," replied Pooh.

"I did look," said Christopher Robin.  

"No.  You didn't."

Christopher Robin stood quietly by Pooh's side. 

"Yes.  I suppose I did not.  I did not know where to look.  Or what I was looking for.  Now I see,"  his voice trailed off . . . 

"Yes," replied Pooh.  "Both of us, together."

Christopher Robin stared at it again.  Suddenly he could see what Pooh was trying to say. . . 

He reached over and he took Pooh's hand in his. 

 



"So now you know what it means to me?" asked Pooh.  But he wasn't really asking.   Pooh knew! 

They stood there again.  The two of them,  together. 

"It's not the painting or even the brush stroke that makes it special," Christopher Robin whispered.

 "EXACTLY!" said Pooh.  

 

 

Provenance:  

2003: Don O'Melveny Gallery, Melrose Avenue, Los Angeles, California

2003:  International Artshow, New York City, NY

2004-2006:  United States Embassy,  Maputo Mozambique,  Africa

2022:  Los Angeles Art Association,  Catalog Vol. IV 

 

 

 

 

 

 

 

Archival Prints Available 

 

 


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About the painting, BUSTER BROWN

BUSTER BROWN

Original,  2002_ Oil on Canvas_  48 in. x 24 in. 

 

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A series of recollections  

 

Buster was sitting patiently next to me in my Studio while I was working on another piece. I was lying flat on my belly for hours, filling in the details of The Enchanted Forest with an old re-purposed lipstick brush.   I looked up at him as he sat there stalwart and all of a sudden desperately wanted to capture him in that moment.  So I grabbed a blank canvas and did a quick sketch outline in wet paint with my hands.  He looked so sweet sitting there next to me, then stepping gingerly around The Enchanted Forest, much as he had done months earlier with CHAI.  He was trying to lean in for another kiss.  I had to shoo him away.  Good 'ol Buster!  Really,  the Best Dog Ever! 

 

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It was ALWAYS Simba.  My black labrador retriever.  The Best Dog Ever!  Whenever I returned home from work to find the place in shambles,  it was ALWAYS him.  (Or so I thought. . . )  There was the time shortly after his adoption,  when I returned home and didn't see him outside on the enclosed patio between my kitchen and the garage.  There was a huge hole in the ground next to the fence and Simba was keeping my neighbor Diane - the flower child - and her husband well-amused with his antics as they waited for me to return home from work so that they could return him to me in one piece.  Apparently their cats were okay with him.  Buster meanwhile sat dutifully on my patio, looking as innocent as could be,  not having ventured outside the confines of the yard.  (Perhaps he was too big to fit underneath it?)  Obviously it was the smaller Sim who had dug the hole!  One of their nicknames was Big Guy and Little Guy.  They had many many nicknames.   My favorites were "My Angel shmangel" and "my pumpkin lumpkin!"  

(Can you guess which was which?) 

 

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Another time I came home after a long full-day medical conference,  to discover that my entire living room set of furniture had disappeared -- replaced by piles of foam,  fabric,  padding and straps.  Just nowhere to sit!  An unhappy surprise.  Startling, in fact.  Piles of foam littered all over the living room floor.   "WHO DID THIS?"  I asked.  And then again, for effect,  "WHO did THIS?!"   To which Sim and Buster ran and hid under the stairwell - immediately making it clear that no outsider had entered my apartment, made this mess and then mysteriously disappeared.  They hung their heads in shame.  I cleaned up the mess then lived with no furniture for some time until my reupholsterer finally returned the pieces  -- though I did tell him to take his time and delayed delivery for well over 18 months,  hoping that the Boys would be older and Sim less likely to do more of what led to this particular disaster.  I had special coverlets made out of a heavy duty (& hopefully chew-proof) canvas to fit over the spanking new couches.   (At that point Nottheo chimed in,   "YOU NEED TO GET RID OF THOSE DOGS!  BEFORE THEY RUIN ANOTHER THING!"  But the truth was,  they had already done the bulk of the damage,  so getting rid of them now,  I reasoned, would really not have been effective.  Besides,  I'd made a commitment to two other living breathing feeling sentient beings and I would NEVER EVER go back on that commitment.)   And I didn't. . . .   

 

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Another time I came home and didn't see my little Sim out back.  Where was he?   And where was my huge glass top table from Ballard Designs - the one that I really enjoyed when guests came over and it was fully adorned with service platters,  all manner of goodies and, naturally,  flowers -- the one that had required  three extremely fit Marines to lift the glass and place it on the base - - that one?  It  was missing.  Where was it?  I wondered.  I stood at the front door and glanced past the living room and through the kitchen to the sliders to out back.  As I drew closer,  I saw the shattered glass all over the patio in a million dangerous shards.  And there was Sim, sitting quietly in a corner,  looking rather non-chalant about the whole thing.  He was thoroughly non-plussed as he waited for his next adventure or whatever punishment may be due him.  My other neighbor (not Diane)  was a quiet man I rarely saw.  He almost never came out of his home.  But he climbed a ladder and poked his head over the fence to let me know that he had heard a huge ground shaking crash and thought someone had broken into my place through my sliders.  So he checked it out he told me,  to see if he needed to call the police.   No need.   He proceeded to describe to me the scene shortly after the table top came crashing down shattering to smithereens.  This quiet man admitted to having admonished my small black lab,  telling him, "Oh Boy!  You've Done It This Time!  Your Mommy is NOT Going to Be Happy With You!"  ( I wasn't. . . )   Then he just waited inside his yard adjacent to mine,  to hear my now familiar refrain,  which he was hearing with increased frequency to the point of familiarity,  "WHAT DID YOU DO?!"  "WHAT DID YOU DO?!" (Apparently every time he heard it,  he found himself wondering,  WHAT DID SIM DO THIS TIME?!)  That's what he told me.  

 

 

Of  course,  it was upsetting,  I'm human - - - but at the end of the day it was only "stuff" -- 

 

Truth be known,  I never did really reprimand Sim.  What good would it have done anyway hours after the incident?  He wouldn't have necessarily associated any scolding with anything that had transpired hours before, and I don't believe in that sort of punishment just to make myself feel better or get it out of my system.  If he chewed a pair of shoes,  perhaps it was my fault for leaving them somewhere where he could access them.  So the table?  Better to get the glass cleaned up before someone gets hurt,  right?  And so it went,  day after day,  week after week,  I'd come home,  the Little Old Man next door would strain to hear it,  and I would oblige with the now all-too-frequent -- "WHAT DID YOU DO?!"  Because it was always something! 

 

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Then I moved to the Marina.  Time was moving forward,  but Sim,  less so.  Just when I thought I'd seen the last of his destructive behavior (mostly cause he'd already eaten anything of real value to me) something else would happen.  He was after all,  a labrador retriever and labs chew.  That's just what they do!  So what was next?  Well,  there were my original edition Winnie-The-Pooh books from my childhood.  The one thing I'd salvaged from my childhood home after the death of my mother.  I could have taken the Waterford or the Sterling,  but NO - -  I'd grabbed a book of poetry my mom read to me when I was young and the Winnie-The-Pooh books -  in the 2 hours I had to grab whatever I wanted before it was all shipped overseas never to be seen again.  These books.  Bindings FINITO!  Pages chewed.  Whole sections missing. GONZO!   I never did figure out how he managed to get them out of my bookshelf without disturbing any of the other books,  but he did. Obviously it was Sim!  (He didn't get in trouble for that either,  though I knew it had been him.   I wiped a tear away and moved on) 

 

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Christmas came.  And there was the Holiday Christmas breads in reds and greens.  I could have sworn I put them into my shopping bag at the Ralph's Market in the Marina.  And yet,  I couldn't find them anywhere after putting down my groceries and leaving the pantry for just a moment before returning.  Did I put those breads into my grocery bags or leave them there on the counter at the Market?   (I finally realized I HAD put them into my cart and I had brought them home.  But it would take 48 hours and a trip to the Dog Park to finally put that two and two together!)  RED and GREEN!  

 

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Simba stood on one side of the round kitchen table,  Buster on the other.  Sim held a favorite toy in his mouth.  He shook it as if to say -  If you want this,  come and get it!  A familiar game.  Neither of them moved a muscle.  Simba glanced in one direction.  But I soon realized that that was just a head fake.  I sat on the couch across the room and watched this fascinating interaction. The strategizing.  The dance.  Head fake aside,  Buster could not be outsmarted by the younger Sim.  He was older and hence slower,  but he had wits on his side.  So he let Sim play himself out.  Head fake right.  Eye fake left.  It was all the same.  Buster Brown did not flinch.  Then Simba started to run around the table.  It he went right Buster would take a step or two to the right then do a quick about face and run straight at Sim.  This would catch Sim off guard and he'd suddenly have to reverse direction.  And so the game went.  And the younger and more energetic Sim would eventually tire himself out.  More often than not, Buster would secure the favorite toy for himself.  And then he'd drop it allowing Sim to pick it up and start the game anew.  In this manner,  Catch Me If You Can played endlessly around my kitchen table. .  .  .  .  

 

After I arrived in Providence,  that was the only thing I could easily get at.  That table.  All of my canvasses were still packed.  But the table was not.  .  .  .  .  

 

I was standing by the mailboxes.  The temperature was well below freezing. And my phone rang.  I put my belongings down next to the boxes to answer the call.  It was the State Department of Agriculture in Tennessee.  The Department of Pathology.   And they were calling to give me the final report.  I heard what they were saying,  but I wasn't understanding.  How could THAT BE? I asked.  That's impossible!  Sim had had surgery in Los Angeles.  The veterinarian there had told me that all of the Cancer had been removed.  What do you mean both of his lungs were "clean."  He only had one lung.  One had been removed.  What do you mean both lungs were present?  Did you count them?  Did you count the lobes?  Did you weigh the tissue?  That's impossible.  That would mean he never had any surgery at all.  How could that be?  Was there a lesion in the cranial mediastinum just inferior to -- WHAT?  No!  That's not possible.  The surgeon told me it had been removed.  I'm not understanding.  LADY,  I'm trying to tell you,  this dog never had ANY surgery.  The veterinarian in Los Angeles lied to you.  Then I thought of Sim's final moments.  How the blood drained from his head.  How he went into full organ failure.  How he was gasping for air and screaming on the top of his lungs in pain before his insides exploded and he bled from the inside out before collapsing in my arms.  And then I dropped to my knees . . . 

 

The faucet went drip drip drip.  It was important to leave it that way in order to prevent the pipes from freezing. That's what I had been told.  I sat on the edge of the bed in the darkness and listened to that dripping sound.   The phone rang.  It was my best friend back in Los Angeles.  She wanted to know how I was.  I sat there cradling the phone in my hand.  Silent.  My friend called out to me repeatedly through the darkness.  I tried to hold on.  I tried to hold on.  LISTEN TO ME,  she was saying.  DO YOU HAVE ANY CANVASSES.  Between sobs and gasping for air -- NO.  IS THERE ANYTHING YOU CAN PAINT?  IS THERE ANY SURFACE YOU CAN PAINT?  Silence.  Reaching out across the miles and through the darkness trying to pull me back from the abyss.  I could barely breathe.  He didn't need to suffer.  But suffer he had.  This little dog who had saved MY life -- not once,  but twice -- and died the most horrific death one could ever possibly imagine.   I WANT YOU TO GET YOUR PAINTS AND I NEED YOU TO PAINT SOMETHING.  ANYTHING.  I heard the voice but I couldn't move.  And then I saw that table.  The table that Sim and Buster had run around.  The table that was such a source of joy for all three of us.  And the tears continued to flow  . . . .  And I stood up,  still struggling to grasp what had happened . . .  still unable to speak . . .  and I grabbed my paints. . . .  and I started to paint the table. . . . 

 

When I was getting ready to leave Providence a year later,  I decided to sell most of my belongings to make the move back West easier.  A woman came to check out the furniture.  She walked through my space looking and measuring the armoire, the cabinets,  and everything else.  But she kept coming back to that painting.  And she fell in love with that table.  And finally she turned to me and asked "How much for that painting?"   She said it was such a beautiful and joyful painting.  And I looked at her puzzled that she would say that.  Imagine!  No. It was not joyful.  No it is not for sale.  They were both gone now.  Sim had met a horrific end. When I learned when I finally understood what had been done --- I almost couldn't bare it.  How could anyone have done such an awful thing?  This painting was a flood of emotion and pain released onto the only thing I could get at.  Not a happy painting at all.  But painting it somehow saved me in that moment of darkness.  "SIBU AROUND THIS TABLE."   (SImba and BUster Around This Table.) 

 

 

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Every year,  when I would return from work and see my Halloween pumpkins half eaten -- no matter where I'd placed them the previous day --  I assumed Sim had had a busy day.  And every year at Halloween I'd wag my finger at him and say,  "What did you do?!" then I'd go and replace the pumpkins with more pumpkins.  My little bundle of energy,  Sim! 


 

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Christmastime.  All of the stockings by the chimney were hung.  And the tree was decorated beautifully.  Nearly two hundred gingerbread men dangling from red ribbons all around.  Little colored lights.  It was really lovely.  I was hanging out in the bedroom watching some movie.  I was surprised that the guy I was dating in Rolling Hills had allowed me to bring My Boys over that evening,  but perhaps he thought that if I didn't,  I'd have a good excuse to leave to go home early to take care of them.  Maybe telling me to bring them along with was a strategy and not because he loved having them around all that much.  In fact,  he had been outright nasty to both Sim and Buster who had each pulled on the leash while he was helping me walk them.  And in return,  he had yanked at it a bit too harshly for my taste while explaining to me (is this mansplaining?) - - that I really needed to be a 'more forceful authoritarian figure' with them if I wanted them to be properly trained.  REALLY?  I noted the jerking of the leash but didn't respond to the explanation of how to train my dogs.  Imagine!   (There was no need to point out to him that Buster was in fact exceptionally well-trained,  by a Master Sargent in the United States Marine Corps, and was fully capable of following any command I would choose to give him.  Simba? Well trained? Let's just say, I'm the one who trained him!  Unlike Buster who was all USMC,  Sim's skill set lay outside reconnaissance and taking out the enemy  (Something Buster could have easily done with a one word command).  However,  Sim had other useful skills.  His vocabulary for one was extensive (over 400 words).  And he had a nose for identifying trouble -- from dangerously high hormones to abnormal hormones to magnetic shifts in the Earth's surface.  He could predict cancer with the best of John Church's trained dogs in England and earthquakes anywhere throughout the Southland.   YES.  Simba was a remarkable dog.  No point in explaining all that to someone who yanked that hard on any leash.  He wasn't going to last much longer after that.  But we had planned to watch the movie weeks ago.  So off I went,  dogs in tow.  My boyfriend had given up trying to put the moves on me,  since I wasn't in the least bit responsive.  He assumed I was playing hard-to-get and lacked experience.  But we enjoyed the movie.  And then I noticed -- Sim who was literally always at my side - was missing.  Entirely M.I.A.  I looked off the side of the bed.  Nope.  I looked at the foot of the bed.  NOPE.  Where was he?  Buster was asleep next to me on the floor, snoring loudly.  But Sim --- he was A.W.O.L.  My host hadn't noticed and didn't appear to care.  Where could Sim be?  I excused myself for a moment and wandered into the living room to try to locate my otherwise bundle of energy who was uncharacteristically quiet that evening.  And there I found him. The small (85 pound) black lab who much to my dismay had had his neck yanked just a few short hours ago,  was busying himself with payback underneath the elegantly decorated Christmas tree.   Sim looked up inquisitively from where he lay.  He was shocked to see me.  And he looked perhaps a smidgeon guilty -- recognizing that yes,  he had been caught in the act.  Most of the damage already done,  had I not walked in on him,  he might have gotten away with it red-handed.   But now he was caught - -  a half-eaten gingerbread man # 199 out of 200 protruding out of his mouth!  In fact,  the tree that had been entirely decorated in Gingerbread men was nearly bare -- nary a gingerbread man to be found.   Two hundred red ribbons that I had been told was the number that dangled from the tree - and nothing at the end of any of them!   And I tried hard not to laugh and blow Sim's cover.  And I led him back to the bedroom after allowing him to first finish off the last cookie destroying any shred of evidence  -- wondering how they tasted,  since now I'd never get to find out!  And i thought of how poorly Sim had been treated by this man.  And I couldn't help but smile.  After all,  fair is fair!   We would leave and he would wake up the following morning.  And perhaps he would wonder if St. Nick had indeed come down the chimney. . . . and if asked I would be adamant about my belief in good 'ol Saint Nick.  I mean,  think about it,  I would say,  Nobody gets to look like that on just one or two cookies with a glass of milk!  

 


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Buster loved to eat.  There was nothing that Buster did not love to eat!  He was a vacuum cleaner.  Cottage cheese -- CHECK!  Broccoli - CHECK!  Melon balls - CHECK!  Cheeses with or without the crackers - CHECK!   Steak au poivre,  Chicken parmigiana,   broiled Salmon,  Meatballs and Spaghetti -- CHECK! CHECK! CHECK! and CHECK!!   Julienned Carrots,  slices of apples,  corn (on the cob), green peas,  blueberries,  . . . . you name it. . . . Buster Brown loved to eat it!  Like I said,  a vacuum.  But Buster also was discriminating.   If the food wasn't fresh or had passed its expiration date,  somehow he knew!  That NOSE! If he ate something and it didn't smell or taste right to him -- he'd scrunch up his nose in disgust and then spit it out making loud "EGH UGH!" noises and smacking his lips together.  Pretty soon I came to rely on him to taste test anything in my refrigerator I wasn't entirely sure about.  He was reliably accurate.


 

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That day I was running late.  When I entered my place,  My Boys were nowhere to be found.  I wondered where they were.  Had the sitter come late and did she still have them outside?   Then I noticed something was missing.  My little pumpkin that was sitting next to my front door.  I called out.  Checking.  Then set my bags on the kitchen counter top.   And Sim suddenly appeared from behind door #2 (the second bedroom),  trotting towards me looking happy to see me.  WHAT DID YOU DO? I inquired,  wondering where he had left the seeds and the rest of the mess for me to clean up.  But he was empty handed.  And then it happened.  Out of door # 1 stepped good ol' Buster.  He was averting his eyes as if not wanting to see my reaction.  But he could not hide while holding the evidence for all to see.  There,  in his mouth,  was a BIG ORANGE HALF-EATEN PUMPKIN!  

 

"BUSTER!"  I exclaimed.  " OH MY GOD!  IT WAS YOU!  ALL THESE YEARS,  IT WASN'T SIM.  IT WAS YOU!"   BusterBrown put his tail between his legs,  dropped the pumpkin at my feet,  continued to avert his eyes from mine and trotted back into the bedroom where he could hide his head in shame.  

 

 

                                                                     BUSTER and SIMBA.  The Best Dogs Ever! 

 


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*   Archival Prints Available   *

 

*   Original (Artist's Private Collection)   * 

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About the painting, REVIENS

REVIENS 

Original (2005-2008),  Oil on Panel Board__ 

(SOLD) 

 

 

Every time I,  Feel a Spirit,  Moving in my Heart,  I will pray. . . . I loved to sing that little melody to each of my boys.  It's a sweet little melody and they love it too.  

 

Music has always been an important part of my life.  It's a part of me.  I studied piano under Rosamund when I was a little girl. For several years.  She taught at a music school in New York City called Juilliard.   At one point when asked by my parents what I wanted to be when I grew up,  I emphatically stated that I was going to be a concert pianist.  I almost majored in music at Harvard.  But my parents would have none of it -- that's not the life for a young lady they insisted as they laid down the law -  a J.D.,  an M.D. or an M.B.A.  Those were my choices.   When I dated the trombone player in high school,  my father quickly intervened to break that up.  He wasn't having any of it.  So I abandoned my dream of being a musician (and the musician boyfriends), and I stopped playing the piano entirely.  I tried to never look back.  At least not right away.  It's easy to look in the rear view mirror and wonder what might have been if we'd done things differently.  What kind of life would it have been as a musician?  But in the end,  everything winds up where it is supposed to be. 


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Before my cross country drive,  my closest girl friend threw a little going away party at her home in California for me.  My friend is a real life Angel.  She plays the harp!   (If you've ever watched the Academy Awards,  likely you've seen her!)  We met one day as I was leaving a framer with a little piece I was sending off to a show in Texas at the Red River Valley Museum.  Flash Forward,  2004:  She invited girlfriends of mine from different parts of my life - none of whom knew each other before that night.  So it was a strangely funny thing that all of their small parting gifts had one thing in common - Angels.  An angel pin.  An angel Christmas tree ornament (my trip was in November,  not December).  A book about angels. (For the record,  I'm not one of those people with an "angel collection" or a "Cow Collection" or any other "collection."  So this was very bizarre.  None of the women knew each other).  And I'd be making the trip with my dog Sim,  who I often referred to as "My Angel-Shmangel."   Even the painting that the L.A.-Area movers, America's Best,  took in lieu of their $8,000-$10,000 moving fee.  It was called "Angels Pass."  Alex (the owner of America's Best) fell in love with it.  I had to think about letting it go.  But I finally agreed.  So "Angels Pass" moved me x-country.  The painting depicts a mountain pass rising up to the Heavens,  the kind of huge obstacle you might have to cross while driving from the West to the East Coast of the United States.  

 

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I called my friend who plays the harp.  I was zipping down the highway several days out of Los Angeles,  City of Angels.  Headed to my new home back East.   The road was wide and to my right was a wide open field.  And suddenly out of nowhere a small black labrador retriever puppy appeared out of nowhere.  Nearly the spitting image of Sim eight years earlier!   I was going about 75 mph at the time. So I would have had to brake hard,  and put it in reverse down a highway,  in order to go back and to pick him up.  And I made a split decision not to do that.  It was a puppy.  I was worried.  I saw no owner anywhere in my rear view mirror.  He wasn't in the highway,  he was in the grass.  But I worried if God forbid he would be injured out there all alone. And under any other circumstances I would definitely have gotten him. But Sim had just had surgery.  He was recuperating.  And I didn't think a puppy jumping all over him would have been a good thing.  So I never went back.   I called my friend who plays the harp to tell her about the small black labrador puppy running in the high grass next to the highway,  and she agreed that with Sim having just had surgery,  it would not have been a good idea.  But I felt very sad anyway.  The puppy was headed in the opposite direction from the one I was headed in.  He was headed back in the direction of the City of Angels. 

 

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REVIENS.  This painting too was done in memory of Sim,  as part of the healing process.  It was painted while living in Malibu (2005-2008) north of Busch Drive and inland from Pacific Coast Highway and the Beach.  I had not lived in Malibu before, though Sim and Buster and I had spent many a day here.   I had come back to a place with many memories.  The air was crisp and clean.   (This time, Casey and Curly and I would spend many a day down at the Beach.  I enjoyed taking photos of them.  They had lost their family of nine years and I imagined that that was traumatic for them.  I had lost mine.)  

 

Malibu. 2007.   It's where I met the multiple Emmy Award-winning Writer/Producer/Director who was going to tell Sim's story. (According to the Writers Guild of America,  he was the real deal)   So I went to a stranger's home (accompanied by a girl friend,  just in case), on Zumirez,  on Christmas Day.  A stone's throw from Streisand's palatial estate.   An Academy Award wining cinematographer (so I was told),  filmed me telling what happened.  He wasn't prepared to keep filming and yelled cut just before the climax of the story.  As if i was an actress and could just pick up where I left off.  I couldn't.  Some fancy shmancy lawyers, caterers and hair and makeup people were there.  It's in the can.  He told me that he bought the car and that he punched out the roof (for a camera).  He told me he was going to tell Sim's story and that there would be justice after all.  And then another 'Hollywood gig' came along and - crickets.   I'm still waiting. . . .   

 

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Many of the works during this period were done in a meditative state.  I can't really recall how or exactly when I painted this one  -- just that I was in Malibu at the time.  I don't often work in green,  so this was an unusual piece in that regard. (It's not that I do not like the color.  I do.  It's just that I love other colors way more!)   The title - - -  to return. 

 

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All three of us used to sleep in the bed - me and my two 80-pound boys!  It was crowded in there!   I used to laugh and call it a "Buster-Mommy-Simba sandwich."  Silly!  (If you've never had or loved a dog,  you likely think this is nuts.  Maybe it is. . . but I don't think so.  Love is love.  And if you've never experienced unconditional love,  then maybe you've never truly experienced what love is supposed to feel like)

 

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(Gloria Allred is not a dog person!)

 

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The title:   In the immediate aftermath of Sim's death,  I was alone in a hotel room in Nashville.  

 

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I used to chide him on the beach up in Malibu when we were done playing catch and swimming, and it was time to go -- he wouldn't budge and stood there by water's edge with his favorite Centinela Pet & Feed red ball staring back at me as (Buster and) I packed up and prepared to go.  Finally,  I'd say -- "I'm leaving without you Sim!" Still no movement.  He didn't think I meant it.  He was standing his ground.  Perhaps by some good stroke of luck she will change her mind.  Let's see.  So I'd start walking towards the path near Pierce Brosnan's home and Danny DeVito's -- a narrow strip that led back up to the street where we had parked.  And I'd glance back nonchalantly to see if Sim was paying attention.  He'd stand there for a moment.  Staring at the two of us.  And then,  realizing that he might be left behind,  he'd come running headlong towards me to join me and Buster on the path. 

 

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The veterinarian's office in Tennessee told me that they could mail Sim's remains to me after he was cremated.  It was over the Thanksgiving Holiday and there would be a delay.  So it would be several days and maybe into next week.  No point in my staying in Nashville just waiting and incurring the cost of a hotel,  the vet told me.   "No,"  I said staring past her into yesterday.  "I'm not leaving here without him."


 

So I waited.  Alone in the hotel room.  I think it was a nice hotel.  I don't recall much about it except perhaps the word "music" in its name.  I think there may have been a spa but if there was,  I never saw it.  In my room,  The Bourne Identity was playing on the T.V. (I paid for it.  But I never watched it)  And a waiter from the hotel restaurant with a thick Indian accent knocked on the door to my hotel room.  Room Service.  He had come to pick up the tray from dinner and wanted to know if everything was alright.  Was there something wrong with the food?  Was I feeling okay?  The tray was outside the door of the room.  I hadn't eaten a thing.  My face was streaked with tears.  I told him about Sim.  I told him how he had saved my life.  On more than one occasion.  I told him how I had let him down (& I didn't yet know the half of it).   - - -  Compassion.  It's one of the words I had scribbled into the background of ONCE UPON A TIME.  And yet,  this elderly gentleman knew this word well.   And he told me about Reincarnation.  Did I believe in this? And he told me a lot about the After Life.  Then he took the uneaten food away and left.  

 

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At some point I must have fallen asleep.  I hadn't slept in quite some time.  When I awoke I didn't know right away where I was.  I forgot that I was in a hotel.   Something woke me out of a deep sleep.   I felt something small pushing up against my back as I lay on my right side.  It felt so familiar.  I opened my eyes and turned.  And for a fleeting one to two seconds I saw Sim there next to me.  His little black body pushing up against my back,  his silky coat,  his red collar,  his face nuzzled up against me.  One half of the Buster-Mommy-Simba Sandwich.  I reached for him, but before my hand could touch him,  he was gone.  I called out his name.  

 

 

I stayed in that Hotel room in Tennessee until they delivered Sim's remains to me.  I looked down at the box.  The group that had made the arrangements to return Sim to me -- the name Angel. 

 

*   *   *    *    *   


Months later on a call with my friend back in the City of Angels.  I was commenting to her about all of the 'angels."  Yes.  She had thought of that too.  I told her about waking up with Sim lying next to me.  I asked her what she thought that was all about.  And then I asked her something I really wanted to know but was afraid to ask,  

"Did I ever mention to you about a small black lab puppy running across a field alongside a road as Sim and I were driving x-country?  Or is that just something I'm imagining now?  I can't remember if it really happened and I told you about it,  or if I dreamed about it -  or something?"   Was my mind playing tricks on me? 

"You called me right after you saw the puppy, " she reassured me. "You were thinking of going back for him. We discussed it.  Yes.  You definitely saw something because you called and spoke with me about it."  

"I did?  Strange,"  I said.  "I've been wondering if that was real - or not. I vaguely remember calling you,  but then after Sim passed,  I wasn't sure anymore. I needed to know if I spoke to you about it."  There was a pause.  "I've been wondering if he was real - or not. I'm glad I told you about him.  But do you think -- (I hesitated) - - - do you think it might have been something else?"  

"You mean like an Angel?  If it was, then it was a sign to let you know he's coming home.  That he's going to be fine now.  And that he's no longer in pain."  

"Thank you."  

I choked back hard on the tears.  

"I failed him."

"No.  You didn't.  And now his body is free of any disease. He knows how much you loved him.  You didn't fail him." 

And the two of us sat there quietly on the phone on two different coasts three thousand miles apart, and for several minutes neither one of us said a word.  

 

*   *   *    *    *   

 

I'm happy the piece found a good home. With another musician.   Santa Barbara Symphony Orchestra.  REVIENS has good spirits associated with it.   REVIENS means to return. 

 

 

*   Archival Prints Available   * 

 

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About the painting, BUSTER & SIMBA ON BROAD BEACH

BUSTER & SIMBA ON BROAD BEACH (Malibu)

Original Natural Dyes on Silk__ 

 

It would be hard to overstate the impact that Simba had on my life and on my art.  There is something of him in some aspect of nearly every painting in the years leading up to and following his passing.   The story about my relationship with Sim is a story about love. My paintings tell that story. 

 

Sim was my black labrador retriever.   It's not an overstatement to say that if it wasn't for Sim,  I wouldn't be alive today.  It's just a fact.  After this particular brush with death,  I spent a lot of time up the coast north of Los Angeles,  in Malibu,  with Sim and my ol' Buster Brown - recovering from the diagnosis,  healing from the surgery, dealing with the physical sequelae of the surgery, and not unimportantly, facing the emotional toll from the accompanying losses.  What happened to Sim four years later is an important post-script. But in this moment on the beach in 'the 'Bu,'  I had a great deal of joy just watching my boys running up and down chasing birds and balls.  We were all just chasing the sun.  The silk pieces I eventually did up in Topanga Canyon - years after they were both gone - reflects those simple divinely happy moments with My Boys. 

 

For more information about this silk painting & about my relationship with Sim and Buster Brown,  see the BLOG entry:  ". . . Pies  & Pearls . . .  & The Clinical Acumen of Sim!" 

 

Buster & Simba on Broad Beach

 

From Buster:  

I ran along the sand one day

in Malibu,  on Broad Beach way.

The sky was clear,  the ocean blue, 

at six a.m. on August two.

 

"What do you feed that dog? " he said.

He looked at me then shook his head.

"They're string beans,  and he loves them,  too!

They're good for him and me and you!"

my mom explained to Leben Fils. 

"And veggies,  if they're less than fresh...

Buster's nose will sniff about.

He'll taste them then he'll spit them out!"

 

Then Leben looked down at my eyes.

"Really!," he answered quite surprised. 

And so I came to know this man 

who feeds me with a more knowing hand.

 

But not just kibble,  if you please --

asparagus spears with Hollandaise...

smoked salmon paired with Boursin cheese -

"I'll have  a second helping please!"

 

Toast points with Triple cream cheese spread...

I thumped my tail and cocked my head. 

Now don't mistake me,  mom can cook.

But what she does is by the book.

 

But Leben -- he's a master chef.

He knows what 'dogs like me'  like best!

At twenty years I've earned the right

to eat gourmet,  just one more bite!

 

Veal chops the final coup de grace...

with Bearnaise sauce --  ahhhh!  What a sin!

And with his steak au poivre,  oooh la la!

Ol' Buster's heart did this man win!

 

From Simba:

"Hey you!"  I said,  "who's standing there...

You know you're standing in my lair?

I don't remember saying okay.

Who the heck told you that you could stay?"

 

I growl and snarl and warn you nightly --

in mom's place it's I who reign almighty.

And don't you think to sit on my bed. 

That's where King Simba lays his head!

 

You laid your head back on MY couch?

Give me some credit!  I'm no dog slouch!

I jumped right up between you and she--

You want my mom -  you gotta' get past me!

 

Don't put your head there!  Don't dare lie down!

I'll warn you once ! I'm not kidding around!

I'll show my teeth all pearly white. 

I'm ready now to win a fight!

For I am mom's 'dear number one' 

Her "furry love bunny," her only son!

 

I expect my belly rubs by seven.

I'm not really thinking of sharing this heaven.

And I like my ears massaged at eight

with both your hands would be first rate.

 

You rub my derriere by nine-

I think that would be mighty fine!

And if I get my treats by ten, 

I'm willing to think this over again!

 

I lay on top of you,  ALL eighty-six pounds

With both my paws I pin you down.

And lick your face,  your neck and ears... 

Have I got your attention yet my dear?

 

I drop my red ball on your head.

"YOU'RE S'POSED TO THROW IT!" That's what I said.

And after a good ninety throws, 

I'm willing to let your lapses go.

 

And if you play ball with me all night long...

I think we might just get along 

And so my head beside you lay.

And say to Leben, 

"O.K!   

You may stay!"

 

So Buster,  so loving and easily won,

and Simba just wanting to have some fun  ~

took a liking to Leben on one fine day

when they met him in Malibu,  

'round Broad Beach way.

[Copyright 2000 Janai-Ami]

 

 

*   Archival Prints Available   *

*   Original Silk Painting Not For Sale at this Time (Artist's Private Collection) * 



 

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About the painting, MY BOYS AND ME ON WESTWARD BEACH

Sim was my black labrador retriever.   It's not an overstatement to say that if it wasn't for Sim,  I wouldn't be alive today.  It's just a fact. After this particular brush with death,  I spent a lot of time up the coast north of Los Angeles,  in Malibu,  with Sim and my ol' Buster Brown - recovering from the diagnosis,  healing from the surgery, dealing with the physical sequelae of the surgery, and not unimportantly, facing the emotional toll from the accompanying losses.  Sadly what happened four years later is an important post-script to this story. 

 

For more information about this silk painting & about my relationship with Sim,  see the following entry in my BLOG:  


"--- PIES & PEARLS," CROSSWORDS OR KOMMODORES?, PORTUGESE & ROMANIAN MENTORS & THE CLINICAL ACUMEN OF SIM!

 

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